we had support from dimitri from paris, bruno bolla, 80 s child, get down edits, leo mas, kevin cutts, chuggin edits, dj rocca, nico de ceglia, jacques renault, fingermann, doctorsoul, dj severino (horse meat disco) and chris coco

the voices of 3 rwandan farmers, acoustic guitars and percussions - produced by ian brennan.

ltd to 300 !

elektrische schallwellen die durch unseren schlaf und unsere träume pulsieren...

industrial-beats mit unerbittlichem tempo

limited 2lp vinyl sampler + download code including two full length mixes. balance presents sunsetstrip is the next plateau of concept mixes where we transverse multiple genres, and tempos, all under the steady hands by one of the most highly regarded dj in the industry today.

ministry of sound presents the origins of techno on double vinyl.

..incl joyhauser & kevin de vries (cocoon) remix

all day i dream triple vinyl summer sampler including tracks from bross, double touch, dsf, hermanez, kevin di serna, max & nim, nadav, retza, roi okev, sébastien léger, shai t, squire, various artists, vichtor, white leaf, yokoo, zone+...

yes yes yes! 100 percent dancefloor material! limited to 300

the 2011 album / mixtape project from pusha t (one half of clipse) back on double vinyl, housed in a gatefold sleeve.

incl mixes from kevin devine , jackie house & taraval

starke 4xcompilation von afterlife. comes in transpartent vinyl!

debut release on future rootz features the chicago afrobeat project with tony allen, seven different songs remixed by a diverse cast of producers including ron trent, dj afroqbano, maga bo, sol power all stars, kevin ford, jose marquez, and sound culture. full color sleeve ltd to 500 copies.

limitiertes weisses vinyl inklusive a2 poster, sticker und downloadcode! artwork und design von kevin mccaughey.

keysound recordings are excited to present three very unique cuts from scratcha dva x gage: “flytnurse,” “piffd” and “flytnurse (darqmix)”. dark, euphoric, weighty, and somewhat restless, they defy obvious categorisation. gage has made himself a formidable reputation by releasing some of the most forward-thinking darker dance music in the last three years, predominantly on the ever-quality crazy legs imprint. “telo” was a standout dancefloor moment, equal parts impactful and experimental, quickly followed up by the -mercury ep,- -2017 stay paro- and his banger-collab with kevin jz prodigy, -bad bitch.- scratcha dva first appeared on keysound 66 releases ago with the explosive dread grime anthem “bullet a go fly” featuring badness, riko, flowdan and killa p. but in truth he has a lengthy production back catalogue both before and after that 12”, with albums on hyperdub, his new “interludes” project and a track on the recent landmark kode9 & burial fabriclive 100

double vinyl in gatefold sleeve.

without fullcover, an essential 2 x 12- overview of some of the legendary frankie knuckles trax classics.
what else needs to be said? one of the godfathers of our scene, a true classic himself, frankie behind the wheels or behind the boards was simply top shelf all the way down the line. a real original whose influence and touch can still be felt today.

the 3rd album from rudimental as double vinyl in gatefold sleeve.

wolfskuil for its next instalment welcomes ambivalent and physical therapys new collaborative project pta. ambivalent (kevin mchugh) has been a force for good techno for over a decade and his extensive discography includes appearances on cocoon, hotflush, kompakt and ovum. physical therapy (daniel fisher) is allergy season label head and resident at nycs nowadays. he has released on labels including delft, liberation technologies and unknown to the unknown.

80s cult classics of house music compiled by graeme park on double vinyl in gatefold sleeve.

incl .roland, carl watson , charles vernon on, love dream, fancy and more

executive producers: brett wilcots, jim stivers & graham carlton produced by kevin dixon & frank youngwerth / a1 mixed by larry heard originally released in 1990 / official repress 2018 groovin recordings licensed courtesy of brett wilcots

a coming together of some serious house music legends. boys own don terry farley teams up with kevin swain of d.o.p. for a peak-time acid anthem memory child. label boss posthuman strips it back for a sheffield bleep techno vibe remix, while kirk degiorgio rebuilds the track with modular acid and epic piano chords into a blissful, sunshine anthem. terry and kevin bring it all back with the more chilled acid tool mix to complete the ep.

kerri chanler , adesse versions, dj deep, matrix, demuja & more

berlin-based american kevin mchugh aka ambivalent is definitely no stranger to the scene. with r u ok on richie hawtins minus label he landed one of clublands absolute hits of 2007 which can still be found lurking in discerning dj’s record cases today. since 2015 he has been providing high quality tracks on his delft label, and he celebrated his cocoon debut two years ago with the daylights ep. together with dutch clone-producer martijn hoogendijk aka alden tyrell, ambivalent has cooked up another serving of straightforward techno complete with rigorous hi-hats, which will no doubt summon up the uncompromising energy of his berghain sets wherever its played. with its powerful incantation of sequential rave signals, wallfall recalls the best days of jeff mills in the form of ultra-modern detroit-oriented premium techno, while detente lays disconcerting industrial distortion over expansive dubtechno for maximum acceleration. the perfect fix for hot nights of celebration.

k.o. ist die blaupause für einen futuristischen neuen dancehall-style, der miss red in ein gemeinsames outernationales beat-continuum mit seelenverwandten acts wie equiknoxx (jamaika) und seekersinternational (kanada) setzt. ihr debütalbum erscheint auf dem neuen label pressure ihres produzenten kevin martin aka the bug, der schon auf ihrem ersten mixtape -murder- (2015) neben mark pritchard, mumdance und andy stott zugegen war. die zwischen london und berlin pendelnde mc aus israel tourte als teil von the bugs line-up mit mc-kollegen wie flowdan, daddy freddy, warrior queen und riko dan und arbeitete erfolgreich mit dem warp-künstler gaika zusammen.

detroit s inner city, one of the most influential dance acts of all time celebrated their 30th anniversary starting with a memorial day live show on the main stage of detroit’s movement festival this year. formed in 1987 by record producer, composer and international dj kevin saunderson and vocalist paris grey, inner city are best known for their early crossover hits “big fun” and “good life”. further successes saw the group topping the us billboard dance chart five times and securing nine top 40 hits on the uk singles chart.this 30th anniversary will mark a new chapter for inner city, one which sees kevin saunderson now joined by his son and creative protégé dantiez as a full-time member. new material and a live show will soon follow, featuring a variety of musical collaborators and vocalists. movement festival will set the stage for inner city’s new era, with a show formation featuring grammy winner and original inner city bandleader dennis white and kevin saunderson’s long-time collaborator tommy onyx alongside local talent and vocal sensation, steffanie christi’an. in kevin’s own words: “a true family and new sound for a new generation”. with over three decades in the game under inner city’s wing, with a renewed commitment to live performances featuring a strong family core, and two generations of saunderson men in the studio – inner city are poised to enjoy the good life as much today as they did in 1987 and this is entirely evident on the group s latest offering heavy . boasting a stellar edit from detroit techno luminary and inner city collaborator carl craig, heavy is a fresh taste of what s to come from this legendary outfit. essential detroit techno.

kvest is a dj/producer from bosnia and herzegovina, who has previously released only digital ep s. now, his first vinyl release comes in a form of pure minimal deep techno sound. this ep includes 2 original mixes in which the synth sounds are diffused through light movement and gentle variation, as well as two awesome remixes. one of the remixes is by a young dutch producer kevin arnemann, who runs his own label taped artifact, and has performed in big techno festivals such as ade and awakenings. another remix comes from the owner of kin-ben label, the human & assets. this is the 7th vinyl release on the label.

executive producers: brett wilcots, jim stivers & graham carlton produced and mixed by kevin dixon originally released in 1991 / official repress 2018 groovin recordings licensed courtesy of brett wilcots, thanks to kelly wilcots.

the third realm of consciousness compilation on tale of us afterlife recordings is the label s most complete statement so far. the full spectrum of the label is on display here, as they continue to push the envelope with a high-quality and diverse selection of artists.

sixth release of dailycid is shared by 5 different producers: dailycid s owner dj w!ld, liam geddes, nima gorji & kevin cook and stk ensemble

a past affiliate of richie hawtin’s minus label, berlin-based expat kevin mchugh (aka ambivalent) joins the ranks at cpu under his more recent alter ego of la-4a. mchugh launched his own delft imprint in 2013, which saw the birth of la-4a, initially an anonymous production handle. on slackline, mchugh delivers 4 tracks of uncompromising techno: you’ll find interwoven breaks and refined sampling, and as the track entitled punishment clearly suggests, only the hardiest of techno fans will survive it’s onslaught.

his latest release i know from elypsia records is a quintet of detroit inspired remixes of the song i know. inspired by kevin saunderson, his original techno mix (7:06) is a hardcore and high energy track with intensity to match the wildest of crowds. the ep also contains 3 remixes of the track, each exposing and accentuating the brilliant aspects of his complex tune. it begins with the lucien foort remix (6:41), a lively big room hit with a punch fit for an epic saturday night. uk mix (6:46) follows with subtle electric melo-dies and rhythmic drum and bass patterns that give listeners the feel of wonder and excitement under a clear starry sky. with a clean and gravitating groove bit float remix (7:42) would fit perfectly in any ibiza party with flair and style.

i wonder is the first vinyl release on sean mccabes excellent good vibrations music label. originally featured on nathan adams audio therapy lp (2013) on tribe records, i wonder demonstrates nathan s ability to write real heartfelt songs spectacularly delivered & oozing soul. the original, which saw early support from louie vega, dj spinna, mood ii swing, joey negro and kevin hedge, is now released as a single for the first time on sean mccabe s good vibrations music label. complete with brand new remixes from the one & only louie vega, and a killer late night dub from sean - this is the real deal

2018 repress - standard cover ... us born and meanwhile in berlin residing kevin mchugh aka ambivalent presents his cocoon recordings single debut. ambivalence seems to the be the musical direction here. daylights is a sheer technomonster, musclepacked and full of dark detroit flavour but the used vocal samples and the harmonic synthstrings cant hide the magic touch of daylights. although the massive techno bassline is the star of this track we are sure it will find its way into the sets of many house djs, too. in contrast to that “swung out” appears way more like pure techno and cannot be filed as house at all. we are hypnotized by the shuffled rim shots and hi hats and ambivalent drives this one straight through the dub universe. techno is the destination and the dark vibe of swung out makes it a perfect after hour weapon.

15th release of the strong barba records! and its fbk who s back featuring a remix by none other than claude young - a detroit heavy-weight who s been particularly selective with his output. kevin s previous record for barba, a 2016 twelve titled -screaming her name-, also featured a remixes by terrence dixon and plural. between then and now kevin managed to put out a track for -the cast project- va and a solo ep for radio slave s rekids imprint.

the bug goes head to head with burial for two bass-bin heaters that is flame 1, cementing the first release on his freshly formed label pressure. following on from the bug’s recent sidewinding 12 inches for ninja tune and a colossal album recorded with earth, fog / shrine is possibly kevin martin’s most soundsystem decimating collaboration yet, joining forces with the most elusive figure within the uk underground and hyperdub mainstay, burial. ‘fog’ rolls along at half-speed steppers tempo, submerged deep within the roots n future aesthetic of the bug’s signature beats, yet perfectly balanced by burial’s hollowed out and haunted night vision. ‘shrine’ delves deeper inwards with the beats slowed to a crawl, the bassline hanging heavy in an atmosphere thick with smoke. the vinyl comes in thick grey card discobag with download code included.

following two sought after, sold out 45s on the label, kevin hendrick’s m i d d e x project releases it’s debut lp for mid-february and right from the off this is no everyday minimal synth project. 10 brutally sharp, icily industrial, analogue synth blasts which tip their hat to those hugely influential days in the late 70s where across the uk, tiny pockets of forward thinking, electronic experimentalists were creating groundbreaking, analogue electronic music, under the radar from almost all, unknowing at the time of course about their impact even to this day. limited edition of 300 numbered copies.

an essential 2 x 12- overview of some of the legendary frankie knuckles trax classics.
what else needs to be said? one of the godfathers of our scene, a true classic himself, frankie behind the wheels or behind the boards was simply top shelf all the way down the line. a real original whose influence and touch can still be felt today. his releases on trax at the time were the hottest things ever and they still resonate on the dancefloor today with equal measure. featured here are some of the best tracks fusing frankie s love of disco, euro-pop, italo and more produced in his initial mid to late 80 s golden period. cuts like baby wants to ride , bad boy and more, featuring the unmistakable vocal talents of the equally legendary jamie principle. it s all here. the perfect starting point for those who have recently discovered the man and his body of work, or equally as stimulating for those who wish to have some classics in their collection. each track is a classic, each one stands up today and effortlessly rocks the club. remastered in conjunction with trax, repressed from the finest audio sources available. often imitated, never replicated!

the fourth release on trevor jacksons pre- label is by skull. a visceral journey into experimental noise and no wave avant grade beatscapes the last skull release snapz appeared on jacksons own output recordings label in 1999. a seminal collection of tracks that had previously featured on the first two legendary mo wax headz compilations (also featuring autechre, beastie boys, air, and dj shadow) as well as tracks that had also appeared on kevin the bug martins notorious macro dub infection albums during the mid 90s. reactionary sonic statements aimed at the coffee table world of trip hop, fuelled by his dissatisfaction and dissillustionment with hip hop of the time, trevor pushed himself into uncomfortable and far more extreme areas than he had before, areas he felt unable to explore with his underdog productions, which were mainly being utilised for major label remixes at the time. influenced as much by the industrial pioneers, post punk and new wave of the past as the burgeoning post rock scene in the mid 90s, this new set of previously unreleased recordings originally produced between 1996-2000 are equally as intense and visceral as the early releases. dusty samples, raw beats, tape loops, and primitive effects combine to sound as relevant now as when they were initially created.

name kicks off his side effects ep with the title track, a deep chugging workout that wouldn t have been out of place on jamie thinness seminal deephouse label season back in the 90s. there s more classy deephouse on offer with clos des trams , a lush affair based on a deceptively simple bassline and samplework that would do st. germain proud. flip over for nobody , a fine slice of moody basement beatdown, and finally vibraphone bowed , a peaktime stomper with todd terry-esque beats and kevin yost-like xylophone lines.

kevin saundersons kms imprint is a label that should require no introduction. the motor city label has been a techno mainstay since its inception in 1987. numerous detroit luminaries have released classic after classic on the labels hallowed grooves over the last 25+ years and its influence is still felt in contemporary dance music today. the idea behind the kms origins series is to shine a light on the lesser known cuts in the kms vaults as well as the classics that have given the label it s legendary status during its lifetime.

sa-ha-ra are a london based writing and production team led by peter hinds keyboards player of uk funk outts light of the world, incognito and beggar & co. with partners steve sinclair and kevin ellis they wrote and produced the enduring club classic “love so fine”. this 9 track vinyl album for 2017 includes tracks which expand on the sa-ha-ra sound and includes dance, soul and funk.

with their 4th release, blaq numbers welcomes jesse bru on their original imprint - bringing you a solo ep full of pure blaq gold! the title track was also crowned by a heavily jazzed up remix from folamour - we hope you enjoy this release just as much as we do!
early support by: sampling as an art, jaques renault, roman rauch, kevin over, loz goddard, black loops, cinthie, m.ono, jad & the, seb wildblood, baldo and many more...

time for something a little different from public release.
eye o is the convergence of a few bay area stalwarts—kevin woodruff, formerly of tussle, and jason schwartz - and “deux o & debut” is their first studio-recorded public offering. the five-track, fifty-minute- long lp is a weaving journey through a pastiche of styles that’re all nephews, cousins, brothers, sisters of one another. kraut-rooted motorik drums reconfigure into more complicated math-y patterns, razor-sharp dance-punk guitars stretch out and dissolve into dubby post-rock atmospherics, synth loops you’d more commonly find in house tracks get grafted onto fuzzy psychedelic breakdowns, hard rock licks lock into chunky industrial grooves.
less for dancefloor destruction and more for trippy weekenders, the instrumental record manages to both be a focused, cerebral, conceptual hunk of fat to chew on and a spaced-out, intuitive ride through the cosmos. for use during those off-kilter small hours of the night just as much as it is vision quests and introspective weekends. it’s rare that an outpouring of so much can feel so simple and sublime.

marlon hoffstadt is a rising star as both a dj and producer, effortlessly joining the dots between classic rave and the future of techno. taking a break from running his retrograde label, marlon has cooked up observing the known for ransom note records. over three tracks of warm synths, bubbly acid and emotional chord progressions, the ep sees marlon reimagining house music for todays dancefloor, taking the passion and energy of ‘80s chicago and giving it the production heft of 2017 berlin. opener ‘floating’ is a piano house classic, shot through with chimes and 303 gurgles, nostalgic for a golden age whilst optimistically looking forward. this is peak time house for dancefloors with heart. it’s followed by the computerised funk of ‘arp+’, an acid house roller that teams jacking 303 bass with mournful strings, as sorrowful as it is uplifting. b-side opener ‘batavus’ is a driving tribute to detroit, kevin saunderson-esque keys stabbing over soaring washes of synth, the sound of late nights and starry eyes. london-based scott fraser has added a remix of arp+ that takes marlons classic techno to darker lands, with snapping electro drums and deliberately seasick bass pressure ramping up the claustrophobia. this mix has already been causing huge damage when dropped on dubplate at fraser’s feted body hammer night.